Yash's Toxic: A Fairy Tale for Grown-Ups has unleashed a wave of fan frenzy and houseful shows across Karnataka, Hyderabad, and Mumbai.
Khalifa wants to build a universe, but struggles to build a compelling film, leaving Prithviraj Sukumaran to carry a derivative thriller almost entirely on his shoulders laments Sreeju Sudhakaran.
Purely relying on Yash's aura to the point of draining him dry, Toxic doesn't have an smidgen of storytelling in its body rolling in sex, shock and sounds of bullets fired at anyone and everyone.
Coming so soon after Main Vaapas Aaunga, also a Partition era tale with a message of compassion, the flaws in Batwara 1947 are even more grating, observes Deepa Gahlot.
From Lakshya to Shershaah, revisit 10 Hindi films and shows that captured the courage, sacrifice and emotional cost of the 1999 Kargil War.
Thudakkam gives Vismaya Mohanlal a physically demanding debut where her fighting skills land the punches, even if her acting doesn't.
Suriya and Mamitha Baiju light up this warm-hearted family entertainer, even if the film loses some of its spark in the second half.
Just suspend disbelief, grab some popcorn and enjoy the chaos. The End of Oak Street becomes much more fun that way, shares Mayur Sanap.
No shade or genre was a roadblock for Nana Patekar. In fact, some of his movies only age well because we associate them with his terrific presence.
Cast and crew of Prahaar: The Untold Story of Ujjwal Nikam watch the film together.
From hilarious treasure hunts to recycled jokes, here's how every Dhamaal film stacks up from worst to best.
GDN has a fascinating genius at its centre, but Madhavan's terrific performance is let down by a repetitive, overly familiar biopic treatment.
Ohh My Dog has something different to offer. As for dog lovers, this is definitely a film to catch, rave Rajesh Karkera and Mayur Sanap.
With DC, Arun Matheswaran gives the tale of Devdas a stylish, blood-soaked treatment where Wamiqa Gabbi and Anirudh Ravichander steal the show.
The India Story adopts a very soap opera-like approach, piling on ham-fisted melodrama along with plenty of unevenness, sighs Sreeju Sudhakaran
Parineeti Chopra and Raghav Chaddha party with the team of Shaque: Trust No One.
Max, Min And Meowzaki is not something Bollywood audiences are used to in their cinema that thrives on melodrama and noise. Still, it captures a slice of city life that has made space for cat lovers, movie buffs and Carnatic rockers, discovers Deepa Gahlot.
From Filhaal to Daayra, we look at Meghna Gulzar's filmmaking journey, including the highs of Talvar and Raazi and the films that fell short.
Emraan Hashmi, Disha Patani, and Shabana Azmi attended the special screening of their film, Awarapan 2, which releases today in theatres.
Drishyam - The Conclusion has made history by becoming Ajay Devgn's biggest box office opener with an astounding Rs 62.03 crores, also securing a spot among the Top-5 Bollywood openers of all time.
Srinivasa Mangapuram introduces star kids Jai Krishna and Rasha Thadani in a formulaic romantic actioner that struggles to find its footing.
Awarapan 2 may give Emraan Hashmi the massy comeback his fans have been waiting for, but nostalgia can only do so much, notes Sreeju Sudhakaran.
'Rajkumar Santoshi and Chandraprakash Dwivedi have narrated the story to me but such films require heavy budgets.'
Operation Safed Sagar is prime purpose may be to honour IAF warriors but it is an inadvertent reminder of how we went from a nation of Jung na hone denge to Ghar mein ghus ke marenge, observes Sukanya Verma.
From a scene-stealing child actor to a cult-comedy favourite and a director in his own right, Kunal Kemmu has delivered plenty of memorable turns across three decades.
From Tumbbad to Kantara, these folklore-fuelled films prove Indian cinema has plenty of strange, spooky and spectacular myths to bring to the big screen.
From Mithun Chakraborty and Vidya Balan to S J Suryah and Hrithik Roshan, Jailer 2 boasts an eclectic new cast. Here's a look at the fresh faces joining Rajinikanth's Tiger Muthuvel Pandian and the films you know them from.
Debutant Aman Indra Kumar simply has no screen presence or charisma, sighs Mayur Sanap.
For such a likeable ensemble cast, it is almost tragic how Bhai Tera Star Hai never grows funnier, notes Mayur Sanap.
Vikrant Massey, Vedika Pinto and Mahima Makwana are persuasive enough to hold ground even when their on screen actions leave you more flummoxed than fascinated, notes Sukanya Verma.
From Hera Pheri to Krrish and Drishyam, these Bollywood franchises took their sequels in wildly different directions from the films that inspired them.
Minions & Monsters entertains with its cinematic nostalgia baits, even if it never quite escapes the franchise's familiar storytelling flaws.
Heer Sara needed a lot more fizz, humour, and maybe even some stranger danger, suggests Deepa Gahlot.
If Elle is to turn into its own franchise, it needs a lot more substance, notes Deepa Gahlot.
Leicestershire County Cricket Club has been docked 27 points and fined 5,000 after their pitch was rated 'poor' during a match against Glamorgan, with the head groundsman attributing the conditions to a Bollywood film shoot and extreme heat.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
Toy Story 5 delivers a timely and visually stunning narrative that gently but firmly advocates for protecting children's imagination from the pervasive influence of digital devices, notes Deepa Gahlot.
The comparison will be inevitable, and watching new actors will need time to adjust and grow on fans, discovers Priyanka Bhatt.
Adarsh Baal Vidyalaya is as breezy and it is earnest, discovers Deepa Gahlot.
'Tiger was sitting in his car when the incident happened. He is not injured. Two people injured, his driver Firdaus and a passerby. 15 teams are working to arrest the culprits.'
